Ideas Joan Jonas Organic Honey's Visual Telepathy

Ideas Joan Jonas Organic Honey's Visual Telepathy. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Destacados Logiudice Gallery New York 1972

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. A camera is used in the center of the performing space. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

1972, 17:24 min, b&w, sound.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Jonas lives and works in new york. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. Dressed in a feathered headdress and costumes, organic honey is the embodiment. An 8' x 12' video image is projected on the back, left wall. The character appears to be obsessed with her own.

The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. She took part in documenta in 1977, … Gift of the florsheim foundation, joanne stern and barbara pine. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. There are 1,974 videos online. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. A camera is used in the center of the performing space.. Gift of the florsheim foundation, joanne stern and barbara pine.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. There are 1,974 videos online. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. A camera is used in the center of the performing space. An 8' x 12' video image is projected on the back, left wall... Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman.

1972, 17:24 min, b&w, sound... She took part in documenta in 1977, … Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. 1972, 17:24 min, b&w, sound. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Gift of the florsheim foundation, joanne stern and barbara pine.. She took part in documenta in 1977, …

Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. Jonas lives and works in new york. An 8' x 12' video image is projected on the back, left wall. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. A camera is used in the center of the performing space. She took part in documenta in 1977, … A camera is used in the center of the performing space.

The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Dressed in a feathered headdress and costumes, organic honey is the embodiment. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. There are 1,974 videos online. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. The character appears to be obsessed with her own. A camera is used in the center of the performing space.. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

The character appears to be obsessed with her own... An 8' x 12' video image is projected on the back, left wall. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:. 1972, 17:24 min, b&w, sound.

The character appears to be obsessed with her own. Gift of the florsheim foundation, joanne stern and barbara pine. An 8' x 12' video image is projected on the back, left wall. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. The character appears to be obsessed with her own. A camera is used in the center of the performing space... Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.. The character appears to be obsessed with her own.

Jonas lives and works in new york.. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern... The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.

In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. An 8' x 12' video image is projected on the back, left wall. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. There are 1,974 videos online... A camera is used in the center of the performing space.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:. There are 1,974 videos online. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman.. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Gift of the florsheim foundation, joanne stern and barbara pine. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. A camera is used in the center of the performing space. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: An 8' x 12' video image is projected on the back, left wall. She took part in documenta in 1977, … A camera is used in the center of the performing space.

Dressed in a feathered headdress and costumes, organic honey is the embodiment. A camera is used in the center of the performing space. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman... Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.

Gift of the florsheim foundation, joanne stern and barbara pine. She took part in documenta in 1977, … Dressed in a feathered headdress and costumes, organic honey is the embodiment. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. A camera is used in the center of the performing space. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.

Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.. She took part in documenta in 1977, … Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. 1972, 17:24 min, b&w, sound. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. An 8' x 12' video image is projected on the back, left wall. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern... An 8' x 12' video image is projected on the back, left wall.

The character appears to be obsessed with her own. Gift of the florsheim foundation, joanne stern and barbara pine. 1972, 17:24 min, b&w, sound. There are 1,974 videos online.. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.

1972, 17:24 min, b&w, sound.. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. She took part in documenta in 1977, … 1972, 17:24 min, b&w, sound. A camera is used in the center of the performing space. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.

Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. A camera is used in the center of the performing space. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: There are 1,974 videos online.

She took part in documenta in 1977, … There are 1,974 videos online. Jonas lives and works in new york. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. A camera is used in the center of the performing space. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.

Gift of the florsheim foundation, joanne stern and barbara pine.. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Jonas lives and works in new york. 1972, 17:24 min, b&w, sound. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. A camera is used in the center of the performing space. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.

She took part in documenta in 1977, ….. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. 1972, 17:24 min, b&w, sound. The character appears to be obsessed with her own. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

There are 1,974 videos online... Gift of the florsheim foundation, joanne stern and barbara pine. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. 1972, 17:24 min, b&w, sound. There are 1,974 videos online.. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:.. Jonas lives and works in new york. The character appears to be obsessed with her own. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: An 8' x 12' video image is projected on the back, left wall. There are 1,974 videos online.

Gift of the florsheim foundation, joanne stern and barbara pine. 1972, 17:24 min, b&w, sound. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. A camera is used in the center of the performing space. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. She took part in documenta in 1977, … Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Dressed in a feathered headdress and costumes, organic honey is the embodiment. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. The character appears to be obsessed with her own. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern... Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:.. .. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. The character appears to be obsessed with her own. 1972, 17:24 min, b&w, sound. An 8' x 12' video image is projected on the back, left wall.. Jonas lives and works in new york.

1972, 17:24 min, b&w, sound. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. 1972, 17:24 min, b&w, sound. There are 1,974 videos online. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.

There are 1,974 videos online. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. A camera is used in the center of the performing space.

An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:. She took part in documenta in 1977, …

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Dressed in a feathered headdress and costumes, organic honey is the embodiment.

A camera is used in the center of the performing space. She took part in documenta in 1977, … Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. There are 1,974 videos online.

Jonas lives and works in new york. Jonas lives and works in new york. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Gift of the florsheim foundation, joanne stern and barbara pine. 1972, 17:24 min, b&w, sound. The character appears to be obsessed with her own... The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: An 8' x 12' video image is projected on the back, left wall. A camera is used in the center of the performing space. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Jonas lives and works in new york. She took part in documenta in 1977, …. The character appears to be obsessed with her own.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists... Jonas lives and works in new york. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Dressed in a feathered headdress and costumes, organic honey is the embodiment. 1972, 17:24 min, b&w, sound.

Dressed in a feathered headdress and costumes, organic honey is the embodiment. Gift of the florsheim foundation, joanne stern and barbara pine. A camera is used in the center of the performing space. 1972, 17:24 min, b&w, sound. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists... Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Gift of the florsheim foundation, joanne stern and barbara pine. Jonas lives and works in new york.

Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video... .. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. . The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. . Dressed in a feathered headdress and costumes, organic honey is the embodiment.

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Dressed in a feathered headdress and costumes, organic honey is the embodiment. An 8' x 12' video image is projected on the back, left wall.. The character appears to be obsessed with her own.

The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. She took part in documenta in 1977, … Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Gift of the florsheim foundation, joanne stern and barbara pine. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. A camera is used in the center of the performing space. 1972, 17:24 min, b&w, sound. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman.

Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:. 1972, 17:24 min, b&w, sound.

Gift of the florsheim foundation, joanne stern and barbara pine. The character appears to be obsessed with her own. 1972, 17:24 min, b&w, sound. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. An 8' x 12' video image is projected on the back, left wall.. The character appears to be obsessed with her own.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists... . Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.

An 8' x 12' video image is projected on the back, left wall. There are 1,974 videos online. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. She took part in documenta in 1977, … An 8' x 12' video image is projected on the back, left wall. 1972, 17:24 min, b&w, sound. The character appears to be obsessed with her own.

Dressed in a feathered headdress and costumes, organic honey is the embodiment... The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. A camera is used in the center of the performing space. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. There are 1,974 videos online. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. 1972, 17:24 min, b&w, sound. She took part in documenta in 1977, … A camera is used in the center of the performing space. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.

Dressed in a feathered headdress and costumes, organic honey is the embodiment.. Dressed in a feathered headdress and costumes, organic honey is the embodiment. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.. A camera is used in the center of the performing space.

Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Gift of the florsheim foundation, joanne stern and barbara pine. Jonas lives and works in new york. 1972, 17:24 min, b&w, sound. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. A camera is used in the center of the performing space. The character appears to be obsessed with her own.. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

She took part in documenta in 1977, …. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. 1972, 17:24 min, b&w, sound. A camera is used in the center of the performing space.. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.

There are 1,974 videos online. Dressed in a feathered headdress and costumes, organic honey is the embodiment. She took part in documenta in 1977, … Dressed in a feathered headdress and costumes, organic honey is the embodiment.

Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. She took part in documenta in 1977, … The character appears to be obsessed with her own. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. An 8' x 12' video image is projected on the back, left wall.. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.

In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. Gift of the florsheim foundation, joanne stern and barbara pine. There are 1,974 videos online. Dressed in a feathered headdress and costumes, organic honey is the embodiment. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. The character appears to be obsessed with her own. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: The character appears to be obsessed with her own. Jonas lives and works in new york. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.. A camera is used in the center of the performing space.

Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.

Dressed in a feathered headdress and costumes, organic honey is the embodiment.. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Gift of the florsheim foundation, joanne stern and barbara pine. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. She took part in documenta in 1977, …. Jonas lives and works in new york.

The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: 1972, 17:24 min, b&w, sound. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. The character appears to be obsessed with her own. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. A camera is used in the center of the performing space. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices.. Dressed in a feathered headdress and costumes, organic honey is the embodiment.

Gift of the florsheim foundation, joanne stern and barbara pine.. .. Dressed in a feathered headdress and costumes, organic honey is the embodiment.

Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. An 8' x 12' video image is projected on the back, left wall. Gift of the florsheim foundation, joanne stern and barbara pine. Dressed in a feathered headdress and costumes, organic honey is the embodiment. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. The character appears to be obsessed with her own. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. There are 1,974 videos online. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices... Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey... 1972, 17:24 min, b&w, sound.

Jonas lives and works in new york. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Dressed in a feathered headdress and costumes, organic honey is the embodiment. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

Dressed in a feathered headdress and costumes, organic honey is the embodiment. A camera is used in the center of the performing space. There are 1,974 videos online. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. 1972, 17:24 min, b&w, sound. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Dressed in a feathered headdress and costumes, organic honey is the embodiment. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. An 8' x 12' video image is projected on the back, left wall. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress.. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. A camera is used in the center of the performing space. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: She took part in documenta in 1977, ….. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

1972, 17:24 min, b&w, sound. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Gift of the florsheim foundation, joanne stern and barbara pine. Jonas lives and works in new york. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: An 8' x 12' video image is projected on the back, left wall. The character appears to be obsessed with her own. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:.. Jonas lives and works in new york. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. A camera is used in the center of the performing space.

There are 1,974 videos online.. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. She took part in documenta in 1977, … A camera is used in the center of the performing space. Jonas lives and works in new york. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. The character appears to be obsessed with her own. Dressed in a feathered headdress and costumes, organic honey is the embodiment. 1972, 17:24 min, b&w, sound. There are 1,974 videos online. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

1972, 17:24 min, b&w, sound. A camera is used in the center of the performing space.. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress.

She took part in documenta in 1977, … The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.. An 8' x 12' video image is projected on the back, left wall.

Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Gift of the florsheim foundation, joanne stern and barbara pine. Jonas lives and works in new york. 1972, 17:24 min, b&w, sound. She took part in documenta in 1977, … Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman... . If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.

An 8' x 12' video image is projected on the back, left wall... .. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists.. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: A camera is used in the center of the performing space. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.. Gift of the florsheim foundation, joanne stern and barbara pine. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman... A camera is used in the center of the performing space.

Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. An 8' x 12' video image is projected on the back, left wall. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. A camera is used in the center of the performing space. The character appears to be obsessed with her own. She took part in documenta in 1977, … Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey.. Jonas lives and works in new york.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: There are 1,974 videos online. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. A camera is used in the center of the performing space. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman.. The character appears to be obsessed with her own.

The character appears to be obsessed with her own. A camera is used in the center of the performing space. There are 1,974 videos online. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. She took part in documenta in 1977, …. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.

In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. She took part in documenta in 1977, …

She took part in documenta in 1977, … If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. There are 1,974 videos online. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Dressed in a feathered headdress and costumes, organic honey is the embodiment. Gift of the florsheim foundation, joanne stern and barbara pine.

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: An 8' x 12' video image is projected on the back, left wall. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. A camera is used in the center of the performing space. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. The character appears to be obsessed with her own. She took part in documenta in 1977, … Jonas lives and works in new york. Dressed in a feathered headdress and costumes, organic honey is the embodiment.

Dressed in a feathered headdress and costumes, organic honey is the embodiment. Gift of the florsheim foundation, joanne stern and barbara pine. There are 1,974 videos online... Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:.. A camera is used in the center of the performing space. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern.. There are 1,974 videos online.

Jonas lives and works in new york. In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. She took part in documenta in 1977, … An 8' x 12' video image is projected on the back, left wall.. Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman.

She took part in documenta in 1977, … She took part in documenta in 1977, … The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Dressed in a feathered headdress and costumes, organic honey is the embodiment. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Gift of the florsheim foundation, joanne stern and barbara pine.

Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. She took part in documenta in 1977, … Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. A camera is used in the center of the performing space. Gift of the florsheim foundation, joanne stern and barbara pine... Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

An 8' x 12' video image is projected on the back, left wall. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. The character appears to be obsessed with her own. An 8' x 12' video image is projected on the back, left wall. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey. Jonas lives and works in new york. Gift of the florsheim foundation, joanne stern and barbara pine. A camera is used in the center of the performing space. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress.

In an enigmatic ritual of identity, jonas performs as herself and as her masked double, organic honey... Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. A camera is used in the center of the performing space. There are 1,974 videos online. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set: She took part in documenta in 1977, … Dressed in a feathered headdress and costumes, organic honey is the embodiment. The video performance organic honey's visual telepathy (1972) is the first performance in which jonas uses video alongside her many props and devices. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress.. 1972, 17:24 min, b&w, sound.

The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.. Gift of the florsheim foundation, joanne stern and barbara pine. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. The character appears to be obsessed with her own. Organic honey's visual telepathy is based on jonas' 1972 performance of the same name, the first in which she used video.. The character appears to be obsessed with her own.

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress... Joan jonas uses mirrors, masks, and costumes in her works to reflect the field of tensions between authenticity and social determinism, as well as the totality and fragmentation of her own experience as a woman. An 8' x 12' video image is projected on the back, left wall. Jonas lives and works in new york. Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. Organic honey's visual telepathy (script, 1972) by joan jonas photographs by peter moore the set:

Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress... Artwork page for 'organic honey's visual telepathy', joan jonas, 1972 on display at tate modern. If you would like to reproduce an image of a work of art in moma's collection, or an image of a moma publication or archival material (including installation views, checklists. Jonas's groundbreaking 1972 video organic honey's visual telepathy—an autonomous work related to a performance of the same name, also from that year—begins with the artist's transformation into the electronic seductress. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.. The performance space is approximately 25' x 50', with the audience facing the performers, but separated by equipment.